More fortress than palace, this mighty landmark with its crenellated facade and slit windows looms above Avignon. The immense square in front is the impressive setting for the Avignon Festival. Built for Popes who decamped from Rome to Avignon during a 14th-century dispute, it actually combines two structures - the austere 'Old Palace' (1334-42) and the extravagantly Gothic 'New Palace' (1342-52). The interior is a maze of rooms, mostly empty but rich with Italian frescoes. The highlights are the Pope's Bedchamber, its walls awhirl with frescoes of birds and grapevines, and the Grand Tinel, where the pope's banquets were held with the pope sitting on a raised platform.
Travel Deals
Things to see in Avignon
Office de Tourisme d'Avignon
41 cours Jean Jaurès
Tel: 04 3274 3274.
www.avignon-tourisme.com or www.ot-avignon.fr
The Avignon PASSion card gives big discounts at museums and attractions yet is available completely free from participating museums and at Avignon and Villeneuve-lès-Avignon tourist offices. The pass offers 20% off tourism transportation and cut-price admission (reductions of 20-50%) after the first full-price attraction has been visited and includes all the various sightseeing tours listed in the Tours of the City section. Participating museums and attractions include Musée Calvet, Musée Vouland, Musée du Petit Palais, Palais des Papes and Pont St Bénezet. The pass is valid for two weeks of unlimited visits for the holder and their family.
'Sur le pont d'Avignon on y danse, on y danse ...' - the melody of the 19th-century song still draws visitors to the famed bridge that is formally known as the Pont St Bénezet, after the shepherd whose heavenly vision and determination led to the bridge being built. Spanning the two channels of the River Rhône and the island in between ( Ile de la Barthelasse ), the bridge was built between 1177 and January 1185. Originally made of wood, it had to be continuously rebuilt, as it was the only crossing, providing a link between the Mediterranean and Lyon, an important trade hub in the Middle Ages. The river finally won the day, washing away the bridge in the mid 1600s. Today, only four of its original 22 arches and the tiny Chapelle St Nicholas remain. This delicate Romanesque chapel, dedicated to St Nicholas, patron saint of barge men, should not be missed. A small museum, situated beneath the ticket office, contains images of the bridge in former centuries.
Set inside the 18th-century Hôtel de Massilian, a very grand and pleasing former private mansion in the heart of historic Avignon, this museum is home to a remarkable collection of 18th-, 19th- and 20th-century art. The artworks and the mansion were both donated to the town by local artists Jean et Paulette Angladon-Dubrujeaud, who inherited them from successful Parisian couturier and art collector Jacques Doucet. Attractively displayed in bright, spacious rooms, the works include masterpieces by Degas, Daumier, Sisley, Van Gogh, Cezanne, Picasso and Modigliani. On the first floor, the rooms of the house are immaculately furnished and decorated in period style.
The Musée Calvet is one of southern France’s most appealing small museums of art and archaeology. Housed in a splendid 18th-century mansion, with fine, spacious, well-organised galleries, it displays a very varied collection of paintings, sculptures and other artworks from the 15th to the 20th century, ranging from fine arts to decorative crafts such as tapestry, jewellery and porcelain, as well as ethnic art, and examples of work by some of the best known modern painters (among them Corot, Manet, Sisley and Modigliani) to pieces by less well-known local artists. There’s a remarkable archaeology collection too, and frequent interesting special exhibitions.
Ramps from the Palais des Papes lead up past the Cathédrale Notre-Dame des Doms to the Rocher des Doms, the site of Avignon's earliest settlement. The rocky area was landscaped into a pleasant plateau with an artificial rock garden in the 18th century. Nineteenth-century additions include a lake and the statues of prominent Provençal figures, such as writer Félix Gras and artists Paul Saïn and Paul Vaysan. Terraces were laid out in the 20th century, offering sweeping views of the River Rhône, Pont St Bénézet, Villeneuve-lès-Avignon and the Alpilles. A shady idyll that draws courting couples and refugees from the afternoon heat. above place du Palais. A cool, shady idyll that draws refugees from the afternoon heat.
City buses link Avignon’s Old Town with its suburban 'ville neuve' (new town) across the Rhône. Originally Villeneuve allowed the King of France to keep an eye on the popes on the far side of the river. Soon popes and cardinals themselves could not resist its charms, and built their own luxurious Villeneuve residences. Together with neighbouring Les Angles, it still has impressive views of the Papal city. Philippe le Bel Tower was the other end of Pont St Bénézet. The key attraction is the Chartreuse du Val de Bénédiction. Founded by Pope Innocent VI, in 1356, this was once the largest and most important Carthusian monastery in France.
Housed in the Musée d'Art Contemporain, this ensemble of more than 350 contemporary artworks is the private collection of Yvon Lambert. After loaning them to the city of Avignon for over 20 years, in 2011 he announced that they were to be a permanent donation, valued at nearly 100 million euros, the largest gift of artworks in a century. Avignon city council and the Culture Ministry purchased the neighbouring Hôtel de Montfaucon to double the exhibition space, which opened in 2012. The collection contains work by leading contemporary artists, including Cy Twombly, Sol LeWitt, Donald Judd, Niele Toroni, Jean-Michel Basquiat, Anselm Kiefer, Christian Boltansky, Nan Goldin and Douglas Gordon. However, normally the work of only two or three selected artists from the collection is on display at any one time.
One of Europe’s largest river islands, peaceful Ile de la Barthelasse rests between two arms of the Rhône. Easily reached by bus from the Old City, or by ferry from the waterside close to Pont St Bénézet, the island has become the Avignon residents’ principal place for spending a few leisure hours. A huge array of bird species live on the island, including hawks, kites and harriers as well as many water fowl and other wildlife. In addition, there are green parks, shaded cycle paths, market gardens, waterside walks, campsites and restaurants, and sports facilities that include river boat hire.
Located on the northern end of place du Palais, the Little Palace Museum was built for Cardinal Béranger Frédol between 1318 and 1320. Following extensive alterations, Pope Benoît made it his episcopal headquarters. Today, its 19 rooms house an impressive collection of frescoes, sculptures and Italian religious paintings from the 13th to 16th centuries, including works by Botticelli, Carpaccio and Giovanni di Paolo. The Angel of the Annunciation , by Sano Di Pietro (1406-1481), is one of the most remarkable paintings - the golden-haired angel has all the beauty of a pre-Raphaelite woman.
Successful businessman and art collector Louis Vouland (1883-1973) bequeathed his 19th-century, neo-classical town house to the state together with its huge and prestigious collection of arts and crafts. His home was restored and opened as one of Avignon’s most charming museums in 1982, offering displaying Vouland’s quirky collection of 17th and 18th-century decorative arts. Highlights include high-quality faïence (earthenware) from Vincennes and Sèvres, and tapestries woven in Flanders, Aubusson and Gobelins. However, a dainty travel tea set in Sèvres faïence , which belonged to the Comtesse du Barry, mistress of Louis XV, steals the show. Outside is an attractive garden.
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