Quintana de mortos, Santiago de Compostela
© Creative Commons / CdePaz
Things to see in Santiago de Compostela
Oficina Municipal de Turismo de Santiago
Rúa do Vilar 63
Tel: 981 555 129.
Website: www.santiagoturismo.com
Opening times: Daily 0900-2100 (summer and Easter); Mon-Fri 0900-1900, Sat and Sun 0900-1400 and 1600-1900 (winter).
Oficina de Turismo de Santiago (Xunta de Galicia)
Rúa do Vilar 30-32
Tel: 902 332 010.
Website: www.turgalicia.es
Opening times: Mon-Fri 1000-2000, Sat 1100-1400 and 1700-1900, Sun 1100-1400.
There’s also information at the train station and at the airport, and another municipal office on Praza de Galicia. The Oficina de Peregrinos, Rúa do Vilar 1 (tel: 981 568 846; www.peregrinossantiago.es), is the source of information on pilgrimages.
The paved Praza do Obradoiro faces the main cathedral facade and comprises a whole ensemble of architectural gems. Probably the best surviving example of Romanesque civic architecture in Spain, the Pazo de Xelmírez (next to the cathedral cloisters) has a perfect vaulted medieval interior behind its 18th-century facade.
On the north side of the square, the Hostal dos Reis Católicos, with its four courtyards, was built by Ferdinand and Isabella, as a pilgrim hospice and is now one of Spain's loveliest parador hotels. The Colexio de San Xerome is a smaller medieval building with a finely decorated 15th-century portal, while the Colexio de Fonseca, immediately behind it, is a Renaissance college decorated inside and out.
On the other side of the cathedral, the Praza da Quintana square has a flight of steps that divide it into the ‘Quintana of the Living’ and ‘Quintana of the Dead’ – there was once a cemetery here. Adjacent to this square, the Praza das Praterías (Silversmith's Square) has at its centre, the ornate Fuente de los Caballos, a fountain of four horses with webbed feet. The arcades around the square are still lined with many shops selling silver articles.
Santiago’s glorious cathedral warms the spirit as soon as you glimpse its majestic baroque facade in mossy granite. This twin-towered city emblem was created by the Santiago-born architect Fernando de Casas y Novoa, who superimposed it on the original Romanesque plan of the basilica. Just inside is the Pórtico da Gloria, a masterpiece of Romanesque sculpture that once opened onto the square with almost 200 sculptures of Galician granite, dating from 1188.
Look for the finger holes worn into the stone over the years by pilgrims who, giving thanks at the end of their lengthy journey, prayed with the fingers of one hand pressed into the roots of the Tree of Jesse, below St James. From here, the great nave opens towards the chancel and the monumental baroque high altar, below which lie the relics of St James, in a Roman mausoleum. The crossing lantern houses the suspension mechanism for the botafumeiro. This is a huge baroque censer whose pendulum swings down the entire length of the transepts during special ceremonies, creating an awe-inspiring spectacle.
This dramatic modern art gallery, just outside the Porta do Camino, was designed by the Portuguese architect Álvaro Siza. It stands next to the Museo do Pobo Galego but shows a very different aspect of Galician life, with its permanent collection of modern Galician art. There is also space for a wide variety of temporary exhibitions, normally of a very high standard.
Small but fascinating, this museum is dedicated to the thousand years of history of the famous pilgrimage to Santiago de Compostela.
Housed in a 14th-century convent, this museum is devoted to the history of the Galician people, from their Celtic origins onwards. There are extensive archaeological and ethnographic displays, exhibits of traditional architecture, as well as models and displays showing local trades and crafts. The convent's beautiful gothic chapel also contains the Pantheon of Famous Galicians.
Housed in the lovely 16th-century cathedral cloisters, as well as the atmospheric crypt below the main entrance, the Cathedral Museum holds relics of the long history of Santiago de Compostela, as well as the Archive and Library. There’s a reconstruction of the superb Romanesque stone choir that was replaced in the 17th century, as well as some fine religious sculpture. The cathedral treasures stored here include a botafumeiro (giant incense box), while the tapestry galleries have splendid French and Spanish hangings.
The Praza da Inmaculada is dominated by the grand baroque facade of the Benedictine monastery of San Martiño Pinario. The monastery church is dominated by its vast, ornate Churrigueresque altarpiece that depicts its patron riding alongside St James.
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